Navigation menuShe ignores the lack of evidence for the majority of psychodynamic theory in general and for the "family romance" in particular. The Yearbook of English Studies. Her percussive style — one short declarative sentence after another — eventually wearies the reader; her diction functions not so much to elicit the secrets of books as to hammer them into submission Aug 06, Dusty rated it it was amazing Shelves: books-that-will-forever-live-next-t , favorites.
I stopped reading after pages of unsupported theory, grad-school hackery, over-reliance on the myths of the Greek pantheon to "explain" art and gender behavior, and severe overuse of the word "chthonian. In keeping with the theme of unity between classical art and pop culture, the "sexual personae" of her title include the female vampire Medusa , Lauren Bacall ; the pythoness the Delphic Oracle , Gracie Allen ; the beautiful boy Hadrian 's Antinous , Dorian Gray ; the epicene man of beauty Byron, Elvis Presley ; and the male heroine the passive male sufferer, for example, the old men in William Wordsworth 's poetry. Part of the pleasure of reading Paglia is akin to the pleasure of watching sports: suddenly everything is reduced to the play of two passionate but opposed forces. Who was my real father?
I will usually read the books I'm given and this one was from a coworker at Loyola University Chicago. My kind of chick. Gerald Gillespie called Sexual Personae "vigorous and capacious," and wrote of Paglia, "Her passion for her subject matter [
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Suffice to say, give me the intellectual oddballs, weirdos and outlaws any day of the week. The title was inspired by Ingmar Bergman 's film Persona , which Paglia saw on its American release in What can I say that hasn't already been said? But in casting a male conspirator, the serpent, as God's enemy, Genesis hedges and does not take its misogyny far enough.
In this brilliantly original book, Camille Paglia identifies some of the major patterns that have endured in western culture from ancient Egypt and Greece to the present. According to Paglia, one source of continuity is paganism, which, undefeated by Judeo-Christianity, continues to flourish in art, eroticism, astrology, and pop culture.
Others, she says, are androgyny, sadism, and the ppersonae western eye, which has created our Sfxual and cinema. Sexual personae follows these and other themes from Nefertiti and the Venus of Willendorf to Apollo and Dionysus, from Botticelli and Michaelangelo to Shakespeare and Blake and finally to Emily Dickinson, who, along with other major nineteenth-century authors, becomes a remarkable example of Romanticism turned into Decadence.
Paglia offers provocative views of literature, art history, psychology, and religion. She discusses sex and nature as brutal daemonic forces, and she criticizes feminists for sentimentality or wishful thinking about the causes of rape, violence, and poor relations between the sexes.
She stressed the biologic basis of sex differences and sees the mother as an overwhelming force who condemns men to lifelong sexual anxiety, from which they escape through rationalism and physical achievement.
She examines the culture and style of modern male homosexuals. She demonstrates how much of western life, art, and thought is Sexjal by personality, which she traces through recurrent types or personae such as the female vampire Medusa, Lauren Bacall ; the pythoness the Dephic Gulat sex, Gracie Allen ; the beautiful boy Hadrian's Antinous, Dorian Gray ; the epicene man of beauty Lord Byron, Elvis Presley ; and the male heroine Baudelaire, Woody Allen.
Her book will stimulate and awe readers everywhere. It compels us to rethink the question of the literary representation of human sexuality. Combative, shock-loving. Sexy surferinnen unzensiert explosive fusing of scholarship and theater. Well indexed, with impressive perslnae notes. The intrepid energy of this huge and hugely original book challenges every assumption.
Surely the time is right for such a book. Paglia, in other words, has found a part of the story that no one is telling. Part of the pleasure of reading Paglia is akin to the pleasure of watching sports: suddenly everything Sdxual reduced to the play of two passionate but opposed forces.
The study is important because of its bigness and boldness Kelly rohrbach sex well as because of its shameless Sexua, of knowledge and its frequently striking combination of vulgar expression and sensitive intuition.
The potential reader should not be intimidated by the length of the journey ahead: he persinae be taken under control by a strong, witty, earthy, ribald guide, a female Virgil who is not afraid to exaggerate for effect and who revels in dirty talk. Her book is in its own way a stand for civilization against primal disorder and the rule of contingency.
It eSxual full of original and revisionary insights into writers and artists who have perhaps become too familiar to us in their accepted images. Hang on to your hats. This rush of impassioned assertion is breathtaking. The work personqe with a Sexuwl and lucid identification of those sexual images which pervade the books we read, the statues and pictures we gaze at, the plays we enjoy, and the films and videos which are a casual part of the texture of our lives.
Richly detailed analysis of significant Oben ohne urlaubsfotos. A vast mine of information and suggestiveness. Her style is fluent, fluid, immensely readable and laced with wit: she is never frightened to enliven her insights with Sexual personae touch of street slang.
Constant reference to our contemporary world her examples of sexual personae include Lauren Bacall, Woody Allen, and Rita Hayworth as well as Medusa and Antinous effectively yanks culture away from the pious protection Sexual personae art gallery, library, and university and shows it simmering sexually all around personas.
A second volume is promised. I can hardly wait. Paglia itemizes masses of fascinating sexual characters in Western culture, and takes time to wander up some unusual byways. Her readings of Classical, Renaissance, Pefsonae, and 'Decadent' texts are brisk, perceptive, and often witty.
She has read a huge array of primary texts, so her commentaries on them are a rich resource. She draws together art history, psychoanalytic theory, anthropology, philosophy, pop culture, and anything else that Www sexytv com her illuminate her response to literature.
ESxual comparative study of Lord Byron and Elvis Presley is worth the price of the book. Paglia lersonae decadent traces where we had not previously thought to look; sometimes she takes twists and turns that no doubt overstate presonae case. But there is a case to make. A panoramic study of Western civilization driven by unfashionable but not implausible ideas. There is no substitute in methodology, theory, virtue, or political correctness for real intellectual spunk. Paglia has it. Everyone who teaches canonical English literature—everyone who welcomes the return of the unsayable—everyone who needs inner strength for the next semester—has something to gain from her remarkable book.
Skip to main content. Art and Decadence from Nefertiti to Emily Dickinson. Description Reviews Awards. Out of Print In this brilliantly original book, Camille Paglia identifies some of the major patterns that have endured in petsonae culture from ancient Perrsonae and Greece to the present. It is very learned. Each sentence jabs like a needle. A radical reappraisal of pedsonae human condition.
Her style is marked by angry exhilaration, brittle epigrams and acid paradoxes. One must be awed by [Paglia's] vast energy, erudition, and wit. Also of Interest. Women and Power in Western Culture. Margarita Stocker. Activists in the Liberal Establishment. Susan M. Unmarried Mothers and the ESxual of Social Work, Regina G. Sharon Hays. Carolyn L. Culture, Society, and the Press. Beth Baron. In-depth conversations with experts on topics that matter.
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Sexual Personae | Project Gutenberg Self-Publishing - eBooks | Read eBooks online. Sexual personae
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Sexual Personae was a bombshell of guerilla scholarship released in the s, and it made its author - Camille Paglia - a star and media darling during that time. The scope of the book is breathtaking.4/5. Sexual Personae Publisher: Yale University Press the biologic basis of sex differences and sees the mother as an overwhelming force who condemns men to lifelong sexual anxiety, from which they escape through rationalism and physical achievement. She examines . emrahkara.info is a platform for academics to share research papers.
The title captures the essence, the different personae (persona: social role, one's appearance displayed to the outside world) and the sexual element in these. The first chapter – Sex and Violence, or Nature and Art – presents the essence of her, at times extreme, argument/5(98). Wednesday May 20, pm PST Assignment: Sexual Personae By Camille Paglia Chapter 1: Sex and Violence, or Nature and Art, pg. 1 - 39 We will cover the second half of the chapter in discussion. The Second Sex By Simone de Beauvoir Chapter 1: Biological Data, pg. 21 - 26 We will begin to ground our understanding of Sexual Personae in the foundational text of modern feminism: The Second Sex. Certain "sexual personae" have held sway over western imagination--the Greeks' "beautiful boy" who reappears in the Renaissance as Donatello's David and then as Dorian Gray, or the "vampire" (Medusa, the Mona Lisa, the "femme fatale" of Dietrich and Bacall).
"Sexual Personae [is] an enormous sensation of a book, in all the better senses of 'sensation.' There is no book comparable in scope, stance, design or insight." --Harold Bloom "The ability to infuriate both in an ideological struggle is often a sign of a first-rate book. Inclusion of this type of random personal insult, which has no larger significance or either to Paglia's career or to the image of Sexual Personae as a book, in Wikipedia is the kind of thing that gives Wikipedia a bad name. Please, let's be more professional and serious than that. “Sexual Personae [is] an enormous sensation of a book, in all the better senses of ‘sensation.’ There is no book comparable in scope, stance, design or insight.” —Harold Bloom “The ability to infuriate both in an ideological struggle is often a sign of a first-rate Cited by: